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review of school performances: "Erdbeeren" (DE) and "Eine Frage des Anfangs" (DE)
Zittig Zurzach, 28/5/2024Both pieces challenged the young audience to take a step back from the fast-paced digital world and allow themselves to be taken into the emotional depths of the protagonists. The actors hit sore points of the young viewers very sensitively and directly.
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review of "Erdbeeren" (DE)
Kulturjoker, 1/4/2024The text is very dense, packing a whole kaleidoscope of emotions between poetry, dreams and everyday dialogues and coming to the stage vividly in many individual scenes.
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review of "Eine Frage des Anfangs" (DE)
Badische Zeitung, 5/2/2022Important issues such as climate change, fairness and responsibility influence our life choices to a greater and greater extent. In Eine Frage des Anfangs, Winterhalder has written an important piece which is realised in impressive fashion.
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review of "Eine Frage des Anfangs" (DE)
Kulturjoker, 1/3/2022Sabine Flack and Philipp Nägele play with tremendous energy and physicality, with confidence and presence, so that a lightning-fast, multifaceted game to do with closeness and distance immediately arises.
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review of "Eine Frage des Anfangs" (DE)
Wolfsburger Allgemeine Zeitung, 6/11/2021an intense piece (...) in an extraordinary stage setting
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"Jordbær" (NO) was nominated for the National Ibsen Award 2022
scenekunst.no 4/3/2022Put simply, it is a gem of a text, which unsentimentally hits our most painful spots while simultaneously leaving us with the taste of ripe strawberries in our mouths and the certainty that seeds that are planted and cared for will be fine.
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ungestemmer.no about "Jordbær" (NO)
at Showbox Festival in Oslo, Norway, 1/12/2021a very fine piece, communicated in a refreshing way
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scenekunst.no reviews "Jordbær/Kake" (NO)
26/5/2021The “children’s” performance, Strawberries, is playful, expressive, physical and musical while the “adults’” performance, Cake, is more focused, subdued and text-based. (...) It sounds amazing.
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portrait of Nelly Winterhalder
Badische Zeitung, 30/11/2020Openness is what is most important for Nelly Winterhalder when writing drama. “I write about things that worry me, things I want to understand and explore through the writing.” She is concerned with empathy and wants to tell a story. “It’s not about effects; I want to see what happens when important issues are fed into the private sphere.”
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Norsk Shakespearetidskrift about "Teatertelefonen" (NO)
28/3/2021A gift to listening:
The concept is beautiful and tolerates a good deal of improvisation, and I got to hear an extract from a text I’ve been wanting to read for a long time. Not least – and despite all the restrictions in the age of corona – The Theatre Telephone is able to offer something completely unexpected.